Archive for July, 2015

Cooper’s London

July 29, 2015

Theatre, Music

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Kenneth and Friends

Kenneth Branagh has formed a new company called – wait for it – The Kenneth Branagh Theatre Company. He will be co-directing branagh theatre co(principally with Rob Ashford)  who directed Branagh in Macbeth not so long ago and worked with him on his recent film of Cinderella for Disney. Ashford himself, if you did not already know branagh and ashfordthis, is a Tony, Olivier, Emmy, Drama Desk, and Outer Circle Award-winner and multiple nominee for his directing and choreography. The creative team of this company also includes designer Christopher Oram. Branagh will clearly be employing a mixture of interesting established actors and extremely talented young emergent ones and I would advise booking tickets right now. If you’re interested, I’m tempted to say it’s worth the trip even if you’re living abroad . The program is running for a year at London’s Garrick Theatre, so there are lots of chances to see what the buzz is about.

First up in repertory is Shakespeare’s The Winter’s Tale denchnewly re-imagined (don’t ask me, I dunno what that’s supposed to mean! It’s what it says on the label). I have spotted the fact that Branagh and Ashford are co-directing, which is promising; and the big news is that the role of Paulina is to be played by Judi Dench – a fascinating piece of casting in a pivotal role. Branagh himself plays Leontes. The Tale runs 17 October 2015 to 16 January 2016.

jacobiAnother inspired piece of anti-ageist casting is that of Derek Jacobi as Mercutio in Romeo and Juliet, which also has the two stars of Branagh’s recent Cinderella film as the lovers – Lily James and Richard Madden.

Lily James and Richard Madden arrive as Disney Pictures presents the world premiere of "Cinderella" at the El Capitan Theatre in Los Angeles, California on Sunday, March 1, 2015. .(Photo: Alex J. Berliner/ ABImages)

Lily James and Richard Madden arrive as Disney Pictures presents the world premiere of “Cinderella” at the El Capitan Theatre in Los Angeles, California on Sunday, March 1, 2015. .(Photo: Alex J. Berliner/ ABImages)

Even if you haven’t seen Cinderella, it’s likely you’ve seen these actors; James is also Lady Rose in Downton Abbey, and Madden plays Robb Stark in Game of Thrones. Romeo and Juliet runs from 12 May to 13 August 2016.

In between you can also catch the now-underrated Terence Rattigan’s charming and hilarious Harlequinade, starring Branagh and directed by the multi-talented Ashford (this will be presented in rep with The Winter’s Tale from 17 October to 16 January); and an English adaptation of a classic French farce by Francis Veber called The Painkiller. In this translation, starring Branagh and the inimitable Rob Brydon, the adaptation and direction (already a hit in Belfast) are by Sean Foley. Veber also wrote Le Diner des Cons, adapted by Billy Wilder for the film Buddy Buddy. Essentially, Rob Brydon is being Jack Lemmon and Kenneth Branagh is being Walter Matthau. It runs 5 March to 30 April 2016. Finally, Branagh, who played Olivier so successfully in the film My Week with Marilyn, is undertaking one of the iconic Olivier roles Archie Rice in The Entertainer by John Osborne directed by Ashford.

garrickWhat more do you need to know? Both men have done some impressive stage work in the past; both have access to the best actors and theatre professionals in all spheres. I once attended a wonderfully memorable season of Shakespeare plays directed by Branagh back in the late 1980s; I am quite fascinated by this new company and what I take to be its philosophy. The approach seems to me to be very much that of the legendary actor-managers of past renown, harking back to the age of David Garrick himself. How fitting that the season is scheduled for the theatre named after him.

Perhaps the Kenneth Branagh Season will lead to more seasons and more legends. It may not be wildly innovative or profound, but the proof will be in the pudding and it should be wildly entertaining! For tickets: www.branaghtheatre.com

Singing the Words

The Oxford Lieder Festival, founded and run by the kynochcharismatic pianist Sholto Kynoch, has announced its 2015 programme (running 16 to 31 October). Kynoch takes a rich, full and multi-layered approach to the artistic direction of this festival; it seems to be stronger than ever this year and to have become a kind of laboratory for exploring the best ways to approach and appreciate art song, whether you’re a performer or an aficionado. It attracts the most renowned of the current crop of singers and accompanists and the programmes are immensely appealing.

Last year the festival scored a triumph with “The Schubert Project”. This year’s theme is the words themselves and how various poets inspired different composers. Starting with a symposium connollycalled Words Into Music: Poets, Composers and Song that will run at Wadham College with forays into the Holywell Music Room, the opening recital that evening has the superb mezzo Sarah Connolly working with pianist Graham Johnson to perform songs by Schubert, Brahms and Wolf. Different days will focus on Fauré, Brahms and Berlioz; others on settings of Verlaine, Pushkin, Tolstoy, Heine, Housman, Hardy and the setting of English text, with a symposium on the tradition of performing songs in English translation. There will also be master classes from people like Sarah Walker and Roger Vignoles, a strand of Sacred Music performed in various college chapels, and even classes for amateur singers. Singers include Robert Holl, Christoph Pregardien, Anna Stephany, Henk Neven and Toby Spence; cooperwhile the pianist in residence is Imogen Cooper. There will also be recitals and chamber music. There is an Oxford Lieder YouTube channel that will stream some of the performances. With the beautiful historic city and colleges of Oxford as the setting and a formidable range of exceptionally talented performers, if you love lieder and want to wallow for a day, a weekend or the full two weeks in some amazing live performances, this is an excellent wallow.

wadhamcollegeoxfordparksrdentrance11apr08oFind out more at: http://www.oxfordlieder.co.uk/news/2015/05/2015-oxford-lieder-festival-highlights

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Apollo’s Girl

July 27, 2015

FILM

apollo and lyre

 

 

Summer in the City:

What to See…

As always, there’s good stuff at the Film Society of Lincoln Center, and there’s always a retrospective to remind you of what you may have missed and get you images (3)through the dog days. This year it’s Richard Lesterthe irrefutable answer to the pressing question, “Whatever became of fun?”

Lester’s career followed its own arc: an icon of 60s Britain, he was an American (like many other film expats) who chose London over Hollywood. There were some compelling reasons. While we were ramping up in Vietnam, London was exploding with a revolution in film, theatre, music, fashion and art fueled by idiosyncratic, fearless prodigies who reveled in the city’s openness to change and low cost of living. Being there was a singular treat; next best is seeing what made it so special.

images (2)If Harold Pinter: Comedies of Menace and Quiet Desperation (FSLC 2013) was a bellweather of the era’s dark side; Lester’s upcoming retrospective (August 7 – 13) is the one to make you laugh most of the time and, in the case of the Beatles’ Hard Day’s Night, to be snatched up into the heart of a whirlwind that retains its magic to this day. Seeing it for the first time? Lucky you – prepare to dance in the streets after it’s over! To find out more about Lester, read Sam Kashner’s Vanity Fair interview (Making Beatlemania: A Hard Day’s Night at 50): article and secure your tickets to the retrospective seats

images (5)Before Lester takes the screens, as part of Sound+Vision (July 29 – August 7) you can dip into some homegrown post-Beatles’ beats with Brendan Toller’s Danny Says on opening night, and meet both filmmaker and subject afterwards, and ponder Julian Temple’s images (4)The Ecstasy of Wilko Johnson. Johnson may be rock’s only star who can read passages from Canterbury Tales in flawless Middle English and lead you gently into contemplating your own mortality. And there’s much more: http://www.filmlinc.com/films/series/sound-vision-2015

Catch up with Sean Baker’s Tangerine and Crystal Moselle’s The Wolfpack , held over and going strong tangerine_6at the Elinor Bunin Munro Film Center. Tangerine is a no-holds-barred dip into the seamy, steamy transgender street life of LA hustlers shot (beautifully) on an iPhone 55, and anchored by the epic turn of newcomer Kitana Kiki Rodriguez. Wolfpack, on the other hand, is Tangerine’s polar opposite. Following the coming-of-age of seven siblings who have been kept indoors on the Lower East Side, schooled at home, and enlightened by a diet of films which they have come to memorize and act out in home-grown performances, wolfpack-1024it’s original and startling all the way through. By the end, as the older brothers finally break away to enter the outside world, you are haunted by what their futures will be like and deeply curious about the possibilities of a sequel.

Finally, Nadav Lapid’s The Kindergarten Teacher (NDNF 2015) is coming back This original and download (2)unsettling look at genius and ambition richly deserves another run. Opening July 31; don’t miss it this time around! (https://apollosgirl.wordpress.com/2015/04/22/apollos-girl-57/)

images (7)And, as an end-of-summer special treat, FSLC will screen West Side Story on August 28 at 7:45pm, outdoors on the plaza, where it was actually filmed in 1960 (when there were vacant tenements, a cement basketball court and some very mean streets about to be turned into what is now Lincoln Center). 

Phoenix (Lincoln Plaza and IFC center)

Eager to see the newest work of the director and stars of Barbara (Christian Petzold, Nina Hoss and Ronald Zehrfeld) I enjoyed a recent screening of Phoenix download (4)and set out to write a review. The story of hidden identity, Holocaust survival, betrayal, infidelity and constancy unfolded like a great, twisty period (post-World War II) mystery, acted by a superb cast, directed by a superb director and photographed by Hans Fromm, another Barbara alumnus. It seemed, with a Metascore of 91, like a straightforward rave. And who doesn’t like a great, twisty period mystery?

But it wasn’t about just loving the excellent work of cast and crew; there was also something subtle that wasn’t easily identifiedsomething about the story that made me want to know more about it, and about its origins. A slight sense of displacementperhaps something about its characters and its locationso I pursued the mystery further. Here’s what I found:

Hubert Monteilhet. (Photo by Jacques Lange/Paris Match via Getty Images)

Hubert Monteilhet. (Photo by Jacques Lange/Paris Match via Getty Images)

In 1963, Hubert Monteilhet (prolific French author and winner of the Grand Prix de litérature policière), who specialized in mysteries and historical novels, wrote a best-seller, Le Retour des cendres. The film rights were quickly snapped up in the UK, and a script written (by Monteilhet and Julius Epstein of Casablanca fame); the director was J. Lee Thompson (Planet of the Apes franchise), and the cast starred Ingrid Thulin and Maximillian Schell, with Samantha Eggar playing a character later excised from Phoenix. While the actors spoke English, the story (like the novel) was set in France. The dubious character of the anti-hero was much the same (although he was a chess master rather than a bar porter, and the heroine an X-ray technician, rather than a cabaret singer). The plot was even more complicated then that of Phoenix, but was still deeply concerned with identity and morality. Jazz great John Dankworth did the score for Le Retour (I’m curious about that, too), where Phoenix embedded Kurt Weill’s “Speak Low” as a leitmotif throughout the film.

Petzhold’s choices in developing Phoenix were those of a brilliant images (8)filmmaker, but its journey from post-war France to post-war Germany (they were, surely, very different landscapes) wasn’t entirely seamless. Nevertheless, Phoenix’ 91 Metascore tells you how well he stitched the pieces of his pattern together, and why the process of adaptation—without which there would be no film industryis a challenge best undertaken by those, like Petzhold, with the skill and imagination to transform their source material and the actors to follow their lead.

The Outrageous Sophie Tucker (Cinema Village)

At the end of The Outrageous Sophie Tucker, after all the song 494825881_640credits, where you would expect the lengthy thank-yous that usually end a non-fiction labor of love, the producers (Susan and William Ecker) and director (William download (6)Gazecki) have fashioned a list from the heart: every category includes “Best” before the title noun and name: Best Microfilming Company Ever; New Best Friends; Best Friend Lawyer; New Best Friend Accountant and, notably, New Best Friend and Future Screenwriting Partner: Aaron Sorkin.

 

All of this is entirely appropriate for a film that is, at its beating heart, an unabashed love letter to a Red Hot Mama like no otherSonia Kalish Abuza Tucker, aka images (12)Sophie—whose immigrant rags-to riches story (she was born during her voyage from the Ukraine to America) led her from singing in her parents’ restaurant to performing at the London Palladium for the King and Queen of England. Her appetites were large; she was married three times, had a son who lived in his mother’s shadow all his life, and enjoyed “intimate friendships” with many women (including Lady Edwina Mountbatten). And that’s only for starters.

In the days before television she became a household word by touring, keeping lists of everyone she met on the way, and staying in touch to build an enormous, effective fan base, writing—by hand—cards and letters to each of them to remind them she’d be returning to their area and hoped to see them in the seats. In the 20s and 30s, she sold nostalgia for an earlier time of vaudeville and burlesque, performing songs her theatrical way with a powerful voice, ample body, and confident patter that crossed every social boundary and geographic border. Her radio shows, films, Broadway musicals, and club dates kept her before an adoring public for more than half a century. Wait til you see the footage, and the celebrity interviews….

download (5)So yes, the film is a cinematic love letter, made by writers on whose biography it is based (Susan and William Ecker), and essentially a family affair by them and director William Gazecki. It certainly gives you a sense of Tucker’s talent and magnetism and reminds you how appealing she was. For those who can remember her performances, Outrageous is a welcome feast of nostalgia. For those too young to have known her, it’s a primer for feeling the love. But, at the end, when sentimental tears are flowing, it leaves you curious to know more, to explore this over-the-top public talent more deeply. As much as Soph (as her friends called her) seemed to let it all hang out, her personal life was way ahead of its time, yet enigmatic and fully understood only by her. http://www.sophietucker.com/

P.S.: Special kudos for Guy Digenti’s Best Scrapbook Design, Motion Graphics, and Digital Puppetry.


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