It’s World Animal Day; just click on the links to celebrate.
JACK Quartet (Miller Theatre)/
Internet Cat Video Festival (MAD);
On September 17, Miller Theatre at Columbia University opened its 2014/15 calendar with a take-no-prisoners premiere of Simon Steen-Andersen’s Run Time Error, performed by the composer and the JACK Quartet. It was definitely a trip! I’ve never heard anything quite like it, and am taking the easy way out by pointing you to the NY Times‘ review of the concert by Corinna da Fonseca-Wollheim.
Miller has become known for the adventurous programs devised by its director, Melissa Smey whose interests traverse the entire range of human history, whose choices require the use of the word “fearless” for every performance, and who appears to know just about everything. The real thrill is in seeing and hearing how she puts it all together.
Coming up: A triple exposure of John Luther Adams’ compositions (he won the Pulitzer Prize for music in 2014) on October 7, 9, and 10. But it’s not only what’s new but, sometimes, what’s old: a screening of Carl Dreyer’s iconic silent, The Passion of Joan of Arc (1928), starring the equally iconic Falconetti, with 15th-century music by the Orlando Consort (October 14 and 16). There’s jazz, too. And, earlier this year (on April 1), even the launch of the Canine Composers series; surely a first, but likely to become an audience favorite:
It’s exhilarating to experience Smey’s seasons, which appear to become more innovative and appealing every year. Just get on board and stretch: http://www.millertheatre.com/.
It was a triumph! The Pope had just left the
West Side and was on his way to Madison Square Garden. As the faithful streamed out of Central Park, another crowd surged into the Museum of Art and Design; the Internet Cat Video Festival (from the Walker Art Center in Minneapolis) was about to begin, and it was standing room only. There were very few old ladies in sneakers, but hordes of millennials wearing them instead, and applause and laughter rose from the committed like a much-needed benediction.
The Museum has unveiled a new season of events including cinema, performance, talks, encounters and workshops. Although I can personally recommend the upcoming 99%: The Occupy Wall Street Collaborative Film (previously enjoyed at FSLC’s Human Rights Watch Festival); https://apollosgirl.wordpress.com/2013/07/03/apollos-girl-44/), MAAD’s season looks more than promising. The cinema, in particular, is well-curated, and free! http://madmuseum.org/calendar?t=Cinema. You know what to do…..